Art in Motion 2012



Program:
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Friday, May 18, 2012

CARL ORFF AUDITORIUM, LUISENSTRASSE 37a

08:30 – Registration, Coffee & Tea

09:00 – MUSICAL INTRODUCTION & WELCOME

Siegfried Mauser, President, University of Music & Performing Arts Munich, Germany.

Ingolf Turban, Professor of Violin and Adina Mornell, Symposium Organizer, Professor of Instrumental & Vocal Pedagogy, both: University of Music & Performing Arts Munich, Germany.

09:30 – Keynote: Ralf T. Krampe, University of Leuven, Belgium: Musical Expertise: Mechanisms of Motor Control and Their Neural Basis.

10:45 – Coffee & Tea

10:55 – Gary McPherson, University of Melbourne, Australia: Expanding the Boundaries of Musical Development: How Sensitive Periods and Cognitive Strategies Facilitate Memory, Motor Skills and the Development of Expertise.

11:55 – Jürgen Beckmann, Department of Sport and Health Science, Technical University Munich, Germany: Maintaining Motivation for Practice.

12:30 – Lunch Break

RAUM L115

13:15 – Workshop I: Wolfram Winkel, University of Music & Performing Arts Munich: Five over Three: Developing Polyrhythms and Independence.


CARL ORFF AUDITORIUM

14:00 – Marianne de Laet, Harvey Mudd College, CA, USA: Anthropological Musings on Musical Motivation.

15:00 – Victor Candia, ETH Zurich, Switzerland: Practicing to Fail: Effectively Blocking Motor Memories and Experts' Output by Means of Conscious Motor Control and Sustained Stage Avoidance.

15:50 – Coffee & Tea Break

16:00 – Richard A. Schmidt, Human Performance Research, Los Angeles, USA: Information Feedback for Motor Learning.

17:00 – Bettina Bläsing, CITEC, Bielefeld University, Germany: Dance Meets Science: What Do We Mean When We Talk About Research?

18:00 – Adjourn for Dinner

REAKTORHALLE

19:30 – SPECIAL EVENT: Symphony in Motion. Art in Motion Performance


Saturday, May 19, 2012

REAKTORHALLE

08:30 – Workshop II: Anke-Maria Klein, Clinic for Physical Medicine and Rehabilitation, LMU & Anna Ressel, Bavarian State Ballet, Munich, Germany: Choreographic Art in Motion.

CARL ORFF AUDITORIUM

09:15 – Musical Interlude

09:30 – Tino Stöckel, Sport & Exercise Psychology Unit, University of Rostock, Germany: Lateralization and Motor Learning: Implications of the Hemispheric Specialization Model on Bilateral Skill Training.

10:30 – Josef Ilmberger, Dept. of Rehabilitation Medicine, LMU Hospital, Munich, Germany: From Heartbeat to Postural Control: Stability is Not a State but a Process.

11:20 – Coffee & Tea Break

11:30 – Andreas C. Lehmann, University of Music Würzburg, Germany: Pianists' Memorizing Abilities and Strategies.

12:30 – Lunch Break

13:30 – Workshop III: Adrian Cox, University of Music & Performing Arts, Vienna, Austria: Feldenkrais: Awareness Through Movement Lesson.

13:30 – Workshop IV: Andreas de Bruin, University of Applied Sciences, Munich: Musicosophia. A Method of Consciously Listening to Classical Music.


FOYER

14:00 – Poster Session

CARL ORFF AUDITORIUM

15:00 – Joachim Hermsdörfer, Department of Sport and Health Science, Technical University Munich: When Everyday Motor Planning Goes Wrong: Impaired Tool Use Following Brain Damage.

15:50 – Short Intermission

16:00 – Roseanne Rosenthal, Vandercook College of Music, Chicago, USA: What Can Be Learned When Instrumentalists 'Think Out Loud' During Practice?: A Motor Learning Perspective.

17:00 – Denise Beckmann, Chiemseeblick, Clinic for Psychosomatics, Germany: Coaching the Parents of Talents.

17:45 – Final Remarks, Musical Finale (End approx. 18:00)

20:00 – Fireside Chat (Open End): Location to be announced



Workshops:

Friday:


Workshop I : Wolfram Winkel, University of Music & Performing Arts Munich:    

Five Over Three: Developing Polyrhthms & Independence


Saturday:


Workshop II : Anke-Maria Klein, Clinic for Physical Medicine and Rehabilitation, LMU & Anna Ressel, Bavarian State Ballet, Munich, Germany:   

Choreographic Art in Motion


Workshop III : Adrian Cox, University of Music & Performing Arts Vienna, Austria:    

Feldenkrais: Awareness through Movement Lesson


Workshop IV : Andreas de Bruin, University of Applied Sciences, Munich - Musicosophia:   

A Method of Consciously Listening to Classical Music









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